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By substituting the world of print with a world of entertainment, this new medium will mold society into its own image. It’s because there isn’t any competition. We’ve just grown accustomed to it. What are the potential repercussions of the communication medium’s transformation? Furthermore, television’s rise to prominence as a mass medium, mass culture, and all-powerful medium is no accident. Postman continued the chapter.

It was a lesson that applied to both Postman’s argument and Huxley’s novel. Postman wrote as he continued the chapter. In essence, Postman wanted us to keep an eye out for the information systems’ shared patterns despite their differences. Every week, writers create newsletters that demand genuine attention. Media literacy programs proliferate. These are small declarations of resistance, refusals to amuse ourselves to the point of exhaustion.

The meeting became theater- governance, the subplot. Screen curfews are set by parents. Postman gives hope, though. My dissertation on television history and culture had just been accepted for publication (in 1999 in a series on cultural history published by the University of Illinois Press) when I read Amusing Ourselves to Death during my final year of graduate school. Postman’s own disinterest in the developments in television may have been the primary factor dividing the generations.

I now realize that it was an odd combination of postmodernist theory and popular media, but it was perfectly appropriate for the fields of cultural studies and television. His writings had a far bigger influence on a different generation of academics who were born after television became a commercial enterprise but before the Internet became popular. At that time, Postman was not a part of my intellectual universe. He wrote intelligible, humorous, and approachable prose while many academics remained sequestered in ivory towers.

He proposed that we faced a different threat than Orwell’s vision of totalitarian rule: Huxley’s world, in which people would grow to love their oppression and the technologies that reduced their ability to think critically. His books became bestsellers, reaching people who might never have picked up an academic text but found themselves captivated by his ideas about television, education, and the nature of public discourse.

He acknowledged the allure of television while urging readers to think about what might be lost in the process in his humorous and compassionate writing. his most well-known book, explored how television was changing American culture and was released in 1985. neil postman the end of education was neither a critic nor a pessimist, which is precisely why the book resonated.